Adriaen isenbrandt biography for kids
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Man Weighing Gold
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Title:Man Weighing Gold
Artist:Adriaen Isenbrant (Netherlandish, active by 1510–died 1551 Bruges)
Date:ca. 1515–20
Medium:Oil on wood
Dimensions:20 x 12 in. (50.8 x 30.5 cm), with added strips of 1 3/4 in. (4.5 cm) at left and right
Classification:Paintings
Credit Line:The Friedsam Collection, Bequest of Michael Friedsam, 1931
Object Number:32.100.36
The Artist: Adriaen Isenbrant is the name associated with a group of paintings produced in early-sixteenth-century Bruges that continued the traditions of fifteenth-century predecessors in terms of their still-popular style and motifs. This group of works, like those of the contemporary Ambrosius Benson (see 1982.60.23), depended heavily on the art of Gerard David (for a biography of Gerard David, see “Gerard David (born about 1455, died 1523).” In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000–. Where Isenbrant originated and received his training is unknown, but he might have worked for Gerard David as his assistant early in his career. He then became a freemaster on November 29, 1510, and occupied different positions in the painters’ guild in Bruges throughout his life.
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The Life of the Virgin
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Title:The Life of the Virgin
Artist:Adriaen Isenbrant (Netherlandish, active by 1510–died 1551 Bruges)
Date:after 1521
Medium:Oil on wood
Dimensions:Central panel, overall, with engaged frame, 12 3/8 x 10 1/8 in. (31.4 x 25.7 cm), painted surface 9 1/8 x 6 7/8 in. (23.2 x 17.5 cm); each wing, overall, with engaged frame, 12 3/8 x 5 in. (31.4 x 12.7 cm), painted surface 10 3/4 x 3 1/2 in. (27.3 x 8.9 cm)
Classification:Paintings
Credit Line:Frederick C. Hewitt Fund, 1913
Object Number:13.32a–c
The Artist: For a biography of Adriaen Isenbrant, see the Catalogue Entry for Man Weighing Gold (32.100.36).
The Subject of the Painting: This triptych shows scenes from the Life of the Virgin, a very popular subject with a rich artistic tradition. All the scenes in the triptych are borrowed from compositions of different artists. The grisaille Annunciation on the left exterior wing, next to the Visitation on the right, was directly inspired by the same subject in the Life of the Virgin woodcut series by Albrecht Dürer, published in 1511 (The Met, 18.65.16). For the interior, the artist sought inspiration from Gerard David. The central panel with the Nati
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Virgin and Youngster with say publicly Massacre catch sight of the Innocents
WAG 1017
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