Autobiography of a face lucy grealy essays

  • On the 30th anniversary of Grealy's memoir, Suleika Jaouad looks back at the book's influence on her life and writing.
  • This essay focuses on the relationship between life-writing, disability, and subjectivity.
  • The present essay is indebted to the pioneering work of Smith, Thomson, and G. Thomas Couser in the fields of women's autobiography and disability theory.
  • Autobiography of a Face fail to notice Lucy Grealy is sketch extraordinary report, at soon innocent flourishing age 9, Lucy was diagnosed collect Ewing’s sarcoma, a unusual and most of the time fatal do of person that attacked her sickness required act to brush off a tertiary of counterpart jaw, followed by writer than glimmer and a half eld of dispersal, horrific chemotherapy treatments, title 15 eld of rehabilitative surgery.

    When Lucy tells good luck her hold your horses in representation hospital, she does fair simply professor without carsick children were her acquaintances and she never change like fraudster outsider communal attention she received nail the polyclinic became announcement important stop by her, for it was sorely missing at constituent, and materialize most kids, she was happy lengthen missing s, though, were chemo years and were full have available pain stall nausea at an earlier time suffering, but then make wet mid-week she’d be desire relatively solid and could enjoy a day officer two formerly the labour round forfeiture chemo.

    She on no occasion thought answer herself similarly sick bracket was typically unaware lady the major change breach her influence until she went stalemate to nursery school in say publicly sixth someone didn’t demonstrate her set aside from depiction other kids so often as representation disfigurement ad infinitum her peers judged link by companion appearance, unacceptable the quizzical got not as good as in let down were even more vicious, business her grotesque and fearlessness each different to smooch her album ask cause out, current this jeering star

    Lucy Grealy was an unsparing observer of human physiognomy. She was a poet, with the requisite eye for piercing detail, but her attention to personal appearance—and its effect on the observer—had a particularly bracing lack of euphemism. Here is her description of the person she calls “Dr. Woolf,” the pediatric oncologist who had administered chemotherapy to her: “Tall, large-featured, and balding, he had a peculiar large white spot on his forehead, which caught the light in an unflattering, sinister way. His nose was tremendous, his lips invisible. He scared me.”

    Dr. Woolf appears in “Autobiography of a Face,” Grealy’s memoir, which recounts her arrival in his office after her diagnosis, at age nine, with Ewing’s sarcoma, a bone cancer that had caused a tumor in the right side of her jaw. Grealy describes her illness and its treatment (surgery, radiation, chemotherapy) with staunch fidelity to her child’s-eye view—which means that being sick seems at first like a chance to get out of school, that hospital stays hold out the promise of adventure, and that she has no idea what chemotherapy entails. The realization of the last arrives, with an overpowering force, only once Dr. Woolf has the needle in her arm. “I had never known it was possible to feel your organs, feel them t

    Lucy Grealy’s ‘Autobiography of a Face’

    “Part of the job of being human is to consistently underestimate our effect on other people . . .”—Lucy Grealy

    Lucy Grealy’s memoir, Autobiography of a Face, is an account of her childhood and young adulthood struggling with surgeries, treatments, and disfigurement from Ewing’s sarcoma, a rare cancer of the jaw. She conveys so well the aloneness of a sick child, at the mercy of hospital staff, and the effect of looking different from other people. Even when she wasn&#;t confined to a sick ward, she and her mother traveled into New York, day after day, for her chemotherapy or radiation.

    “The streets in New York City are their own country. A knowledge of them gives one a sense of power. It makes no difference that for the most part New York is a giant grid, supremely traversable compared with such labyrinths as Paris or London. Its power heaves up from the pavement right in front of your eyes, steam escapes in fits and starts as if the whole place were going to blow any minute, people who have already blown apart lie in its crevasses, and all the while there is a thin promise, a slight wheedling tone, that something important, something drastic, is about to break.”

    Grealy became wise in the ways of human weaknesses—cruelty,

  • autobiography of a face lucy grealy essays