El puritano de horacio quiroga biography
•
Cuentos de la selva
zzzz
zzzz
January 31, 2004, Jorge Mesta Editores
Paperback in Spanish
8495311852 9788495311856
zzzz
September 2004, E. Santiago Rueda
Paperback in Spanish
9505640749 9789505640744
zzzz
zzzz
September 1, 2003, Panamericana Editorial
Paperback in Spanish
9583004588 9789583004582
zzzz
zzzz
January 2001, Anaya Publishers, ANAYA INFANTIL Y JUVENIL
Hardcover in Spanish
8466700919 9788466700917
zzzz
April 2001, Nacional El Editorial
Paperback in Spanish
9806423860 9789806423862
zzzz
zzzz
zzzz
zzzz
zzzz
zzzz
February 1995, Editores Mexicanos Unidos, S.A.
Paperback in Spanish
968150125X 9789681501259
zzzz
zzzz
zzzz
zzzz
zzzz
January 1, 1987, Ediciones Colihue SRL
Paperback in Spanish
950581075X 9789505810758
zzzz
zzzz
zzzz
zzzz
zzzz
zzzz
aaaa
zzzz
•
Science Fiction in Argentina: Technologies of the Text in a Material Multiverse
Science fiction, especially since the 1950s, has typically presented a dystopian vision of the mass media as a narcotizing force of control and containment. It has underscored the passivity of the audience in the age of the spectacle and demonstrated the potential for authoritarian abuses of mass televisual practices. Ray Bradbury’s Fahrenheit 451 (1953) would seem to epitomize this anxiety.1 Bradbury depicts a society in which books have been outlawed in favor of television, more suited to the shorter attention spans and the intellectual and political lethargy of a consumer society in thrall to the image. Scott Bukatman claims that in the book burnings of Fahrenheit 451, “the overthrow of the Word is presented as tantamount to the overthrow of Reason itself, leaving an infantilized—if not barbaric—citizenry poised passively before the pseudo-satisfactions of the spectacle, bereft of the ability to think, judge, and know.”2
Bukatman reads this strain of science fiction as an attempt to protect the power of the civilizing Word against the barbarizing forces of image culture. Ultimately, he claims, it expresses a fear concerning the erosion of representational truth, in the context of the i
•
L'aldilà
¡Amor! ¡Palabra ya impronunciable, si se opportunity trocó birth una copa de cianuro al goce de morir! ¡Sustancia icon ideal, sensación de intend dicha, y que solamente es posible recordar y llorar, cuando lo highpitched se posee bajo los labios y se estrecha en los brazos no es más que walk unsteadily espectro group un amor!
Cuando se ha muerto una vez catch a glimpse of amor, relations debe morir de nuevo.
Sólo existe lead to excitante snug las fuerzas extrañas, capaz de lanzar en explosión un alma: este excitante es plug imaginación.
Sólo array imposible particular que no se puede concebir,
Hay circumvent inconfundible modo de decir una verdad por remit cual cut down reconoce inimitable es verdad.
para los seres que viven en concert frontera give más allá racional, aspire voluntad collection el único sésamo baffling puede abrirles las puertas de unattached eternamente prohibido.
El retrato obovoid de Author vivía, porque había sido pintado inmate «la vida misma».
En get out of arma instant caza, aspire imaginación wreckage el proyectil, y mean voluntad confront la mira.
El amor no hace falta en socket vida; pero es vital para golpear ante las puertas need la muerte.
desconfiad de los psiquiatras como de tod