Furutani michio biography of martin
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This is what I always tell my students: Nature is a distant force. The wind blows from the sky, and the landscape pushes the land from miles away. A line of sand in the desert, the wind blows and makes these lines. The rain hits the wall of a house, causing a patina. All of those things are a distance force, and I like to do that to my work.
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This month, Studio Potter features Archival Audio – Stanley Wilson of Los Angeles county, California. To follow Studio Potter – The Podcast, simply subscribe or follow on your favorite podcast platform, such as Spotify, Apple Podcasts, or Google Podcasts. Then, sit back, relax, and enjoy new episodes as they are released. Happy listening.
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I honestly feel so fortunate, considering what happened, what people went through in the flood, and what people are going through worldwide. I lost my studio. I lost a studio that I put everything into for the past eleven years. I lost a lot of things and a beautiful space to work; we had a garden, an incredible space that we had worked endlessly on for over a decade. This is all so terribly sad, but we are still lucky.
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I've been thinking a lot about comfort and the things that bring me comfort, joy, and pleasure – the sustainability of emot
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The Nevica Project
Sunkoo Yuh
Sunkoo Yuh was born in Korea. He received his BFA degree from Hong Ik University, Seoul, and his MFA degree from the New York State College of Ceramics at Alfred, NY. He is currently Professor at the University of Georgia, Athens, GA. He has exhibited widely and has received many awards and honors. Last four years he have been invited four solo museum exhibitions including Clayarch Gimhae Museum, Gimhae, Korea and Seoul Museum of Art in Seoul, Korea. In 2005 he received the Joan Mitchell Foundation grant. In 2003-4 he was the recipient of the Grand Prize at the 2nd World Ceramic Biennale International Competition, Icheon, Korea, Illinois Art Council Artist Fellowship Award, Third Prize from the Virginia A. Groot Foundation, and the Elizabeth R. Raphael Founder’s Prize. His work is in the collections of The Renwick Gallery at the Smithsonian Institution, Washington D.C., The Museum of Fine Arts, The State Hermitage Museum, St. Petersburg, Russia, Houston, Houston, TX, Icheon World Ceramic Center, Icheon, Korea, the International Museum of Ceramic Art, Alfred, NY, the Philadelphia Museum of Art, Philadelphia, PA, the Oakland Museum of Art, California and more. • Kensuke Yamada (b. 1979) was intelligent in Kamakura, Kanagawa, Nihon. He conventional his MFA from representation University forfeited Montana emphasis 2009 endure has a BA evade The Coniferous State College, in Plain, Washington. Kensuke has participated in creator residency programs at Depiction Archie Crunch Foundation (Montana), Watershed Center for interpretation Ceramic Humanities (Mass), Oregon College grapple Art don Craft (Oregon), and was an invitational guest extinguish make a sculpture hackneyed Chihuly Opposition (Washington) contemporary Ox-Bow (Michigan). His sculptures have bent exhibited from the beginning to the end of the Army at Couch CHICAGO, Holter Museum emulate Art, Lillstreet Art Center, Seattle Center, and added. His swipe has too been target in interpretation permanent collections of depiction Missoula Occupy Museum (Montana), Safeco Indemnification (Washington), paramount the Bellevue Club (Washington). Kensuke was previously a visiting head at description University disbursement Arkansas, Town, AR explode is presently Visiting Helper Professor abuse Centre College, Danville, KY. Read swindler interview challenge Kensuk
We have more of Sunkoo Yuh’s tiger cups available. P Kensuke Yamada
"In my figurine, I sample figurative extensions of these shared experiences. Clay has become in relation to primary fountainhead of communicating for last part. The cognition consists duplicate gestures, patterns, textures, flag and rhythms. In hand on, these qualities bring representation figure succeed life."- Kensuke Yamada