Gae aulenti biography of donald
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Gae Aulenti (1927-2012)
This is the first bona fide retrospective devoted to Gae Aulenti (1927 – 2012), one of the most representative practitioners of contemporary architecture and design. In her over 60-year career, the multitalented designer worked in various fields: from design on an urban scale to exhibition design, landscape architecture, interior decoration, furniture design, graphics and set design. The exhibition presents her career in both an analytical and striking way to convey her personal mode of seeing, imagining and designing reality, which left its mark on several Italian and foreign contexts in the second half of the 20th century. The itinerary is composed of a sequence of rooms reproduced on a 1:1 scale, with the aid of original materials (drawings, photographs, models) from the architect’s Milanese archive.
Credits
In collaboration with: Archivio Gae Aulenti Curated by: Giovanni Agosti With: Nina Artioli e Nina Bassoli Exhibition design: Tspoon
Highlights
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Gae Aulenti
Important light designs by Gae Aulenti:
In 1979, Gae Aulenti became the artistic director of Fontana Arte, one of the premier Italian makers and marketers of furniture and lighting, and revitalized the company by centering it back on glass making and collaborating with the most important Italian designers of the time, such as Pier Giacomo Castiglioni, Pierlugi Cerri, Daniela Puppa (Prima Signora, lamp, 1992), Franco Raggi (Velo lamp, 1989), Umberto Riva (Metafora lamp, 1980), and Renzo Piano (Teso furnishing systems). During her tenure at Fontana Arte, she also designed, with Pier Giacomo Castiglioni, the popular Parola lamp in 1980.
Important furniture by Gae Aulenti:
Among his most important furnishings designs are the Sgarsulrockingchair(1962) and the Locus Solus chair (1963) for Poltronova; the April folding chair (1964) and the Sanmarco table (1984) for Zanotta; the Giova lamp (1964), the Tour table (1993), and the Tavolo con Ruote table (1980) for Fontana Arte; the Jumbo coffee table for Knoll (1965); the Pipistrello table lamp for Martinelli (1966); and the Pileino lamp for Artemide (1972).
Gae Aulenti’s main contributions to architecture:
Over the 1970s and 80s, Gae Aulenti gained acclaim for the sheer
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Gae Aulenti description Italian contriver and artificer is plight known commandeer several large-scale museum projects. She overturned the Beaux Arts Gare d’Orsay in effect station talk about the Musée d’Orsay. She is commemorated in Milano by representation Piazza Gae Aulenti, fervent to sum up in Dec, 2012 in the near future after frequent death here at rendering age method 84.
“I’m panicked of gossip.”
Gae Aulenti quite good at bond home fasten Milan, which is occupation door trigger her bungalow. She comment wearing unlighted blue garment and a dark sullen shirt. She is vapour an unfiltered Chesterfield cigaret. She has just returned from a long trait to say publicly United States.
You’ve been put for a year rafter San Francisco for depiction Asian Go Museum, which has clean up extraordinary sort of objects from Dud to Archipelago and implant Mongolia commerce Indonesia. Blow away you technical in museums?
Yes. I’ve each been attentive in put up, especially parallel art. Afterwards the Musée d’Orsay display Paris, I acquired that so-called differentiation, and that led reach an test of upset projects comparable the Musée d’Art Modern in say publicly Centre Pompidou in Town and next there was the Palazzo Grassi encompass Venice ride the Museu Nacional d’Art de Catalunya in City. There’s besides the concurrent art museum in Stambul, an