Naiza h khan biography of donald

Born in Naiza Khan is based in Karachi, Pakistan.

Born in in the city of Bahawalpur, in the province of Punjab, Khan received her education at notable institutions such as the Ruskin School.

Born in Bahawalpur in , internationally acclaimed visual artist Naiza H. Khan studied at the Wimbledon School of Art, the Ruskin School of Drawing and Fine.

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Drone art: Death on a canvas

Karachi, Pakistan – Violence is part of daily life in Pakistan, where TV stations regularly ambush viewers with news on the latest bombings, and where sirens and screeching ambulances are often heard racing through the streets after attacks.

These things no longer surprise anyone, nor does the constant sight of flashing television bulletins reporting how many have died after the latest drone strike. This is not to say that Pakistan’s million people are apathetic – but most have found ways to block out the violence.

Yet some Pakistani artists have not been able to tune out the din of drone-strike deaths, and have instead chosen to address the issue head-on in their work. This art has urgency, a sense of purpose with specific intent: To be part of the dialogue on national identity and the future of the country.

Al Jazeera spoke with four prominent artists whose work chronicles drone attacks and the effects of violence on the Pakistani psyche.

Khan, trained at the Ruskin School of Drawing and Fine Art, has shepherded a generation of rising artists. Her works have been shown at the Shanghai Biennale, and was the Prince Claus Laureate, an award that honours outstanding achievements in the field of culture and development.

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One of Pakistan’s most prolific contemporary artists, Naiza Khan has been a major contributor both to the local art scene and on international art platforms. Born in in the city of Bahawalpur, in the province of Punjab, Khan received her education at notable institutions such as the Ruskin School of Art, Oxford, where she received her BFA in , and the Wimbledon School of Art, London. Since beginning her career, she has worked out of London and Karachi, Pakistan’s southern coastal metropolis. Though trained mainly as a painter and a printmaker, Khan is best described as a multidisciplinary artist. Her mediums over the years have included film, photography, sound, latex, metal, and henna, alongside prints and large-scale watercolor and charcoal drawings. Spanning three decades, Khan’s practice has addressed a number of concerns, ranging from issues of gender identity to colonialism to climate change.
In the summer of , Naiza Khan’s work appeared in the inaugural Pakistan Pavilion at the Venice Biennale. Her solo show, Manora Field Notes, was widely lauded as the perfect debut for Pakistani contemporary art at this international forum. I had the pleasure of seeing Manora Field Notes firsthand at a later showing, in Lahore, Pakistan. Khan’s proje