Natalie wood pictures biography
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Natalie Wood's Life in Photos
1938: A Young Natalia
The actress was born Natalia Nikolaevna Zakharenko on July 20, 1938. Both her parents were Russian immigrants living in San Francisco, California.
1943: Her First Role
Wood's first acting jobs were uncredited roles in the 1943 films The Moon Is Downand Happy Land. It was her performance in the latter, however, that caught the attention of director Irving Pichel, setting the four-year-old actress up for success.
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1945: Becoming Natalie Wood
In 1945, Wood's mother moved the family to Los Angeles on the advice of Irving Pichel, who took an interest in the child star. It was Pichel who suggested that the young actress adopt the Americanized version of her name, Natalie, and change her surname to Wood, after director Sam Wood.
1946: A Child Actress
Wood made a big splash in her first major film role as Margaret Ludwig in Tomorrow Is Forever. She starred opposite Orson Welles who referred to the young actress as "so good, she was terrifying." She followed her speaking-role debut with multiple films that year and in 1947.
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1947: Her Biggest Role Yet
Wood delivered one of her most p
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Natalie Wood: Description Complete History (by Suzanne Finstad)
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Natalie Wood
American actress (1938–1981)
For the Australian rules footballer and coach, see Natalie Wood (coach). For the Trinidadian-Canadian artist, curator, and educator, see Natalie Wood (curator).
Natalie Wood (née Zacharenko; July 20, 1938 – November 29, 1981) was an American actress who began her career in film as a child and successfully transitioned to young adult roles.
Wood started acting at age four and was given a co-starring role at age eight in Miracle on 34th Street (1947).[2] As a teenager, she was nominated for an Academy Award for Best Supporting Actress for her performance in Rebel Without a Cause (1955), followed by a role in John Ford's The Searchers (1956). Wood starred in the musical films West Side Story (1961) and Gypsy (1962) and received nominations for an Academy Award for Best Actress for her performances in Splendor in the Grass (1961) and Love with the Proper Stranger (1963). Her career continued with films such as Sex and the Single Girl (1964), The Great Race (1965), Inside Daisy Clover (1965), This Property Is Condemned (1966), and Bob & Carol & Ted & Alice (1969).
During the 1970s, Wood began a hiatus from film and had two daughters: one with her second husband Richard Gregson, and