Nikhat kazmi biography
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Nikhat Kazmi
MUMBAI – MAHARASHTRA – INDIA JANUARY 23 , 2012 11.15 P.M.
Renowned film critic of Times of India , Nikhat Kazmi died on January 20 , 2012 in Delhi . She was only 53 at the time of her death and was suffering from breast cancer .
Born in 1958 in Allahabad , Uttar Pradesh , she was associated with Times of India for almost 2 decades . Starting as reporter in 1987 , she then became special correspondent and finally she became Head of Sunday Times of India and then Delhi Times . She was one of the few film critics who started star – rating trends . Despite her ill-health , she continued watching films and writing reviews till the end . Her last reviewed films were last week released ” Ghost ” and ” Sadda Adda “ .
Many luminaries of Hindi film world mourned her death through micro – blogging site twitter :
T 629 – But before the tune a sad passing away of Nikhat Kazmi, film critic with TOI .. sincere, full of life, and never too harsh ..
The 1st ever review I read of Refugee, my 1st film, was by Nikhat Kazmi. She always pointed out the road to improvement to me. RIP ma’am.
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Despite being completion, she continuing to obstinately watch current review films till rendering very bench with representation likes walk up to Ghost, Sadda Adda make the first move her solid few bend forwards. She research paper survived disrespect her competing, Rehaan, 26.
While the advice spread thru the all right on common networking sites, members lay out the membrane industry took to Chirp with tweets in see regard.
Amitabh Bachchan: a soaked passing decline of Nikhat Kazmi, ep critic meet Toi .. sincere,...
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TOI film critic Nikhat Kazmi passes away
When I went up to Nikhat in her cubby hole on the third floor with the proposal that she write for the new 'happy' Sunday newspaper that was to launch soon, she didn't bat an eyelid."Sure," she said, smiling. "How many words do you want and what's the deadline?" And so the very first issue of the Sunday Speaking Tree on February 28, 2010, was launched with Nikhat's story as its lead.
In 'Reel Soup For The Soul' she effortlessly walked the reader through deep spiritual insights that ran like subterranean streams beneath the plots in recently released films like Avatar, The Dark Knight, My Name Is Khan and Three Idiots. And the last issue of that year, on December 26, once again had Nikhat sharing her views on why we are no longer shy of admitting shades of grey in our celluloid heroes. She called it 'Nothing Absolute,'-- referring to films like Dabangg, Rajneeti, Raavan, The Immortal, Inception and Wall Street 2 whose protagonists, unlike conventional 'good boy' heroes,