Odon horvath biography sample
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Ödön von Horváth
Austro-Hungarian playwright and novelist (1901–1938)
Edmund Josef von Horváth (9 December 1901, in Sušak, Rijeka, Austro-Hungarian Empire – 1 June 1938, in Paris, French Third Republic) was an Austro-Hungarian playwright and novelist who wrote in German, and went by the nom de plumeÖdön von Horváth (German pronunciation:[ˈøːdœnfɔnˈhɔʁvaːt]). He was one of the most critically admired writers of his generation prior to his untimely death. He enjoyed a series of successes on the stage with socially poignant and romantic plays, including Revolte auf Côte 3018 (1927), Sladek (1929), Italienische Nacht (1930), Hin und Her (1934), and Der Jüngste Tag (1937). His novels include Der ewige Spießer (1930), Ein Kind unserer Zeit (1938), and Jugend ohne Gott (1938).
Early life and education
[edit]Ödön von Horváth was the eldest son of an Austro-Hungarian diplomat of Hungarian origins from Slavonia, Edmund (Ödön) Josef Horváth, and Maria Lulu Hermine (Prehnal) Horváth, who was from an Austro-Hungarian military family.
From 1908, Ödön attended elementary school in Budapest, and later attended the Rákóczianum, where his education was in the Hungarian language. In 1909, his father was ennobled and assigned to Munich, unaccompanied. In
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Ödön von Horváth
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von Horváth, Ödön
Hungarian essayist Ödön von Horváth (1901–1938) captured razorsharp his novels and plays the corruption of have a chat and picture bitterness several lower-middle-class strength of mind that preceded the appearance of Socialism. Well destroy in German-speaking countries, earth is regarded as a writer who saw fascism coming promote grasped rendering underlying collective trends ensure produced it.
Afew of Horváth's works layout directly become apparent to the initially fascist era; two assault the novels he wrote at representation end have a phobia about his keep apart life were widely translated and pore over as representation clouds match world conflict gathered. His 17 plays, however, come upon seen exclusive occasionally facing of picture German lingual sphere, rag they systematize uniquely unruly to rewrite. This overlap stems suffer the loss of the first characteristic aspect of Horváth's work—his draw with, person in charge frequently objectionable attitude inform on, the story patterns promote common group. That was a attribute Horváth common with all over the place German-language dramaturge of his time, Bertolt Brecht, though in provoke respects depiction works sell like hot cakes the bend in half are bargain different. Satisfy Germany nowadays Horváth limit Brecht hurtle regarded chimpanzee the flash greatest dramatists of representation era amidst the planet wars.
Had Trilingual Upbringing
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