Irene f whittome biography examples

  • Irene F. Whittome, artist (b at Vancouver on 5 March 1942).
  • An important and distinguished Canadian sculptor, painter, drafter and printmaker and an influential educator, Professor Irene F. Whittome was born in Vancouver.
  • Whittome's work generates signals, a world of things with her own classifications, series and sequences, and not merely reflections or critique-commentaries on.

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    Offers/RequestsExhibition AnnouncementS / G Solo/Group Exhibitions  (..) Exhibitions + FavoritesMusée d'art institute Joliette - MAJ G May well 2012 - Aug 2012 Joliette (57) +0Bernier, Maryse (Curator)   +0

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    Musée d'art cunning Joliette - MAJ, Canada

    Joliette, Canada

    Joseph Beuys (1921 - 1986); David Bolduc (1945 - 2010); Ronald Chase (1934); Louis Comtois (1945 - 1990); Pierre Dorion (1959); Irene F. Whittome (1942); Marc Garneau (1956); Jacques Leclaire; Francis Limérat (1946); Marcella Maltais; David Comedian (1961); Louise Robert; Dominick Sarrazin; Toilet A. Schweitzer; Thomas Pi Hodgson (1924); Michael Betray (1928 - 2023); Françoise Sullivan;

    Maryse Bernier;

    Musée d'art contemporain de Montréal - MACM G Apr 2010 - Top up 2010 Montréal - Québec (96) +0Bélisle, Josée (Curator)   +0

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    Musée d'art contemporain excise Montréal - MACM

    Montréal - Québec, Canada

    Paul-Émile Borduas (1905 - 1960); Guy Pellerin; Roland Poulin (1940); Irene F. Whittome (1942); François Lacasse;

    Josée Bélisle;

    The Power Plant G Apr 1988 - Jun 1988 Toronto - ON (244) +0Pontbriand, Chantal (Curator)   +0

    N/A

    The Dominion Plant, C

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    1992 | Irene F. Whittome

    Before the expression “world as a museum” took hold in the cultural lingo—although credit must be given to André Malraux’s Le Musée Imaginaire (1947) and a Marshall McLuhan bon mot from The Medium is the Massage: An Inventory of Effects (1967)—Irene F. Whittome embarked on its actualization with Le Musée blanc and related works in the mid-1970s.

    What struck me when seeing one of the works from Le Musée blanc thirty years ago was its quietude. Pole-like elements were encased in vertical wall vitrines, there was a dominant white colour, a ritual wrapping-and-binding, and yet everything appeared found or rescued. It was all the more remarkable in the context of a roughly hewn and chattering group show. Then two years ago, coming upon her Château d’eau: lumière mythique (1997), an elegiac sculpture from a water tower source included in the ROM’s net-cast-wide exhibition Canada Collects, I had a similar experience. This time, the rough-hewn quality was of her own making. It spoke to the idea of “nation” and the museum site as effectively as anything that the museum itself could muster in the grouping.

    In between, Whittome produced a tour de force—Le Musée des traces from the late 1980s—which was first shown in a rented garage/storage site in Montréal, an

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    Irene Whittome 1975 - 1980

    Synopsis:

    Irene F. Whittome was born and raised in Vancouver, where she studied at the Vancouver School of Art and was especially encouraged by painter Jack Shadbolt. Paintings and drawings from this period show her impatience with learning to reproduce the forms of life models or those from art history put forward as examples for young artists (Giotto, Picasso and so forth). The drawings are filled with a tension bordering on destruction, and the oils attest to an exuberance and a firm desire to create while criticizing the references proposed. From 1963 to 1968, thanks in part to an Emily Carr grant, Irene Whittome lived in France, drawing and printmaking at Stanley Hayter's Atelier 17. Here again, the surface of the paper, trying to contend with an excess of ink, is torn or scarified, submitting to an artist who voluntarily integrates a host of exogenous elements into the work.

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  • irene f whittome biography examples