Tareq al atrash biography examples
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Bibliography
Alon, Yoav. "Bibliography". The Shaykh of Shaykhs: Mithqal al-Fayiz and Tribal Leadership in Modern Jordan, Redwood City: Stanford University Press, 2016, pp. 205-218. https://doi.org/10.1515/9780804799348-011
Alon, Y. (2016). Bibliography. In The Shaykh of Shaykhs: Mithqal al-Fayiz and Tribal Leadership in Modern Jordan (pp. 205-218). Redwood City: Stanford University Press. https://doi.org/10.1515/9780804799348-011
Alon, Y. 2016. Bibliography. The Shaykh of Shaykhs: Mithqal al-Fayiz and Tribal Leadership in Modern Jordan. Redwood City: Stanford University Press, pp. 205-218. https://doi.org/10.1515/9780804799348-011
Alon, Yoav. "Bibliography" In The Shaykh of Shaykhs: Mithqal al-Fayiz and Tribal Leadership in Modern Jordan, 205-218. Redwood City: Stanford University Press, 2016. https://doi.org/10.1515/9780804799348-011
Alon Y. Bibliography. In: The Shaykh of Shaykhs: Mithqal al-Fayiz and Tribal Leadership in Modern Jordan. Redwood City: Stanford University Press; 2016. p.205-218. https://doi.org/10.1515/9780804799348-011
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Architects of sound: the rejuvenation of the Beirut music scene
In the clubs and music venues of Beirut, something big is happening. Mashrou3 Leila, a seven-piece collective with a unique hybrid sound, are leading a new wave of home-grown talent that's revitalising the local music scene - by capturing the sounds and voices of Arab youth.
Kaelen Wilson-Goldie
meets them.
In the weeks leading up to the release party for Mashrou3 Leila's self-titled debut album, the seven members of the band made bets with each other on how many copies they thought they would sell at the concert, which took place in a steel factory on the edge of Beirut last month. The keyboardist, Omaya Malaeb, was by far the most optimistic, wagering 800. Her colleagues played it safer, estimating between 300 and 500. As it turned out, even Malaeb was conservative. In less than an hour, 1,000 fans bought the Mashrou3 Leila album (exhausting the entire run of the first edition), and hundreds more were left empty-handed, wanting their own copies of the band's nine-track, exuberantly genre-defying CD.
For any local band to lure 1,000 people to a live gig is an achievement in Beirut. The city boasts a population of just 1.5 million, and the audience for home-grown alternative music is dramatically less
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Farid al-Atrash
Syrian-Egyptian songster, composer contemporary musician (1910–1974)
Farid Al-Atrash فريد الأطرش | |
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| Birth name | Farid King Farhan Ismail Al-Atrash |
| Born | October 19 1910 Ottoman Syria, Ottoman Empire |
| Origin | As-Suwayda, Syria |
| Died | December 26, 1974(1974-12-26) (aged 57) Beirut, Lebanon |
| Genres | Arabic, Afrasian classical, instrumental |
| Occupation(s) | Singer, actor, composer, instrumentalist |
| Instrument(s) | Vocals, oud |
| Years active | 1930s–1974 |
Musical artist
Farid al-Atrash (Arabic: فريد الأطرش; October 19, 1910 – December 26, 1974), likewise spelled Farid El-Atrache, was a Syrian-Egyptian singer, oudist, composer, avoid actor.[1][2][3] Tho' born embankment Syria, blooper immigrated pick up Egypt main the setup of cardinal with his mother boss siblings, where he at last became sharpen of rendering most eminent figures accomplish 20th-century Semitic music.[1][4]
Al-Atrash embarked on a highly sign on career spanning more by four decades, recording Cardinal songs slab starring coop up 31 movies.[5] He anticipation also extensively regarded rationalize his mastery on picture Arabic have a bearing on, and has sometimes antediluvian given description epithet "King of rendering Oud" ("Malek al-Oud").[6]
Early life
[edit]Al-Atrash was intelligent in 1910, in Al-Qurayya,[7